Title: Hard Romanticker

Also known as:
Hâdo romanchikkâ

Year: 2011

Genre: Drama / Comedy

Language: Japanese

Runtime: 109 min

Director: Gu Su-yeon

Writer: Gu Su-yeon

IMDb: http://www.imdb.com/title/tt1924283/

Plot:
Amongst all the violence between rival Japanese and North Korean gangs in Shimonoseki is a young thug named Gu. Swearing no allegiance to anyone other than himself and a few close friends, Gu carries with him a dangerously reckless attitude as he chooses to do only what he wishes. After pissing off more than a few people and one of his friends murdering the grandmother of a gang's boss, Gu is now on the run from not only every gang member in town but the police too.

Our thoughts:
Out of all the movies in Artsploitation's library I was looking forward to seeing "Hard Romanticker" the most. Partially because I am a big fan of Asian cinema, but also because it reminded me of "Blue Spring" since they seemed similar in theme. Also because the movie apparently has some truth to its story. How much truth? I'm not sure. The movie is based on the semi-autobiographical novel by Gu Su-yeon, who also happens to be the films director.

"Hard Romanticker" is about a young thug named Gu living in Shimonoseki. A great deal of tension exists in the city between the Japanese civilians and the North Korean immigrants. Gu, being Korean-Japanese descent, manages to piss off both groups and every gang that there is. If that wasn't enough to contend with, Gu also has a local detective breathing down his neck after one of Gu's friends accidentally kills the grandmother of one of the thugs running the gangs.

Gu Su-yeon's movie ended up having more in common with the film "Blue Spring" than I had initially expected. While "Hard Romanticker" has some of its roots buried in the real-life past of its director and is often noted for the ultra-violence it portrays, the movie has a comedy streak to it. Granted the movie's subject matter does deal with teenagers who openly embrace a life of crime and violence and ideals of becoming a Yakuza or part of whatever large gang that resides in the area. However, with the character Gu, a kid who doesn't have a problem getting into a fist fight or violently beating somebody with an object of some kind -- usually a metal bat or a pipe -- the violence stems from his reckless behavior.

The actions of the various characters doesn't exist as a social commentary piece on a wayward generation or social tension between the Japanese and North Koreans. Instead it's merely the thing that exists in the world of these wannabes and the result of bad decisions and walking through life with reckless abandon. So often the violence comes in the form of comedy beats: whether it's Gu running for his life on the rooftops in his underwear in the middle of the night or having a showdown of 1 against 100. "Hard Romanticker" never dissolves into something unbelievable or fantastical, like say "Crows Zero", but rather th dark comedic tone the movie carries never allows the attitudes, actions and violence of these characters to have too much weight. Even at the more emotional moments of the movie.

With that aside, "Hard Romanticker" was still a good, albeit typical, Yakuza movie. The performances are good, the characters are interesting, the pacing is pitch-perfect but the story seemed rather mundane to my own expectations. Again, that doesn't make it bad, but simply the movie's story revolves around Gu, a typical thug, and what his daily life consists of when he goes from being a loner to working as a personal assistant for a lieutenant of another gang in a city. There is some Peckinpah-tension built into the movie as Gu gets into altercations and manages to piss everyone off that he's near -- you know it's all going to come to a boil at some point. And the movie does eventually come to both a violent and emotional resolve of characters but perhaps in a way that a viewer might be surprised by. Imagine a coming-of-age movie but without the actual coming-of-age part.

What "Hard Romanticker" felt more like it was a day-in-the-life-of type of a movie as opposed to a violent gangster movie. Certainly the movie does deserve credit as it never shies away from the violence or the sex and isn't afraid of the brutally real moments of what happens to those who are willing to live a life such as Gu and his peers. However, it doesn't focus on the "reality" of their existence and is willing to play moments for laughs -- occasionally dark laughs -- and is willing to be cinematic as opposed to realism. In the end, it's good but it did feel rather typical in world of Yakuza-based movies.


Positive things:
- Good characters and good performances.
- Slick looking production.
- The dark comedic beats.
- The movie never shied away from the violence or sexual violence (rape). And which was also kept realistic in comparison to the rest of the movie.
Negative things:
- Needed some more trimming.
- Felt like a basic Yakuza movie.
- It was necessary for the character and fit but pube-staches never work. Especially on someone who is suppose to be intimidating

Rating:
Gore: 1.5/5
Nudity: 2/5
Story: 3/5
Effects: 2/5
Comedy: 2.5/5

We bought this movie from:
TLAvideo.com

Reviewed by:
Preston




 

Like us on Facebook



"City of Rott: Streets of Rott" Press Release
Best of 2016
Best of 2015
Underrated Horror Movies That Aren't Underrated: A Halloween List
Howling: Halloween 2015
Amityville: Halloween 2015
A Stephen King Halloween for 2015
"Tales of the Dim" Press Release
Best of 2014
Full Moon Favorites
A '90s Halloween
Best of 2013
A Profane Preview
A Netflix Halloween for 2013
"German Angst" on Kickstarter
The Sexploitation/Erotica List
Ronny's Arthouse Films List #2
Best of 2012
Worst of 2012
Halloween list: Mockumentaries

Special Feature Archives



 
 
TOP 10 OF LAST YEAR:
1. Fires on the Plain
2. What We Do in the Shadows
3. We Are Still Here
4. Spring
5. Makeup Room
6. Kumiko, the Treasure Hunter
7. A Pigeon Sat on a Branch Reflecting on Existence
8. Shadow Zombie
9. Honeymoon
10. Nina Forever
Taken from Best of 2015



CURRENT FAVORITE
DISTRIBUTORS:
- Mondo Vision
BFI
- Second Run DVD